“Lechon In The Chair”, a mixed media installation art using pig skin to cover a plastic, monobloc chair exhibited at the University of The Philippines College of Fine Arts, 1998. The work is an homage to Meret Oppenheim’s, “Luncheon In The Fur”.
“Lechon In The Chair”, a mixed media installation art using pig skin to cover a plastic, monobloc chair exhibited at the University of The Philippines College of Fine Arts, 1998. The work is an homage to Meret Oppenheim’s, “Luncheon In The Fur”.
“Lechon In The Chair”, a mixed media installation art using pig skin to cover a plastic, monobloc chair exhibited at the University of The Philippines College of Fine Arts, 1998. The work is an homage to Meret Oppenheim’s, “Luncheon In The Fur”.
Preparing the “Lechon In The Chair”.
Preparing the “Lechon In The Chair”.
Sitting Nude : photographs on monobloc chair, 1999
Sitting Nude : photographs on monobloc chair, 1999
Sitting Nude : photographs on monobloc chair, 1999, exhibited during the PERIPHERAL VISION show at the Ayala Museum.
Sitting Nude at the Ayala Museum.
“The Cubist’s Cube (1999)”, exhibited during the “100% Idiot-Proof Camera” show. The artwork was a metal box wrapped completely in photographs of the different surfaces and angles of the same box. This visually disorienting photo-sculpture, like cubism, which is two-dimensional, was made three-dimensional using the quintessential shape of cubism, the cube.
“The Cubist’s Cube (1999)”, exhibited during the “100% Idiot-Proof Camera” show. The artwork was a metal box wrapped completely in photographs of the different surfaces and angles of the same box. This visually disorienting photo-sculpture, like cubism, which is two-dimensional, was made three-dimensional using the quintessential shape of cubism, the cube.
“The Cubist’s Cube (1999)”, exhibited during the “100% Idiot-Proof Camera” show. The artwork was a metal box wrapped completely in photographs of the different surfaces and angles of the same box. This visually disorienting photo-sculpture, like cubism, which is two-dimensional, was made three-dimensional using the quintessential shape of cubism, the cube.
“The Cubist’s Cube (1999)”, exhibited during the “100% Idiot-Proof Camera” show. The artwork was a metal box wrapped completely in photographs of the different surfaces and angles of the same box. This visually disorienting photo-sculpture, like cubism, which is two-dimensional, was made three-dimensional using the quintessential shape of cubism, the cube.
The “Light Bulb (1999)”, exhibited during the “Lighting And Other Incidents”, a light show at Big Sky Mind Gallery featuring mostly works using light sources. The “Light Bulb”, quite simply, are helium balloons made in the shape of a bulb and made to float, semiotically speaking, a “light bulb”, literally.
The “Light Bulb (1999)”, exhibited during the “Lighting And Other Incidents”, a light show at Big Sky Mind Gallery featuring mostly works using light sources. The “Light Bulb”, quite simply, are helium balloons made in the shape of a bulb and made to float, semiotically speaking, a “light bulb”, literally.
The “Light Bulb (1999)”, exhibited during the “Lighting And Other Incidents”, a light show at Big Sky Mind Gallery featuring mostly works using light sources. The “Light Bulb”, quite simply, are helium balloons made in the shape of a bulb and made to float, semiotically speaking, a “light bulb”, literally.
The “Light Bulb (1999)”, exhibited during the “Lighting And Other Incidents”, a light show at Big Sky Mind Gallery featuring mostly works using light sources. The “Light Bulb”, quite simply, are helium balloons made in the shape of a bulb and made to float, semiotically speaking, a “light bulb”, literally.
“The Topology of Signs” exhibition at the Cultural Center of the Philippines (CCP) featuring my work, “Plus & Equal”, 1999.
Plus & Equal : asphalt on wood, variable size, 1999
Plus & Equal : asphalt on wood, variable size, 1999
Plus & Equal : asphalt on wood, variable size, 1999
White On White : plastic figurines and enamel on wood, 9 x 12 in. diptych, 2001
White On White : plastic figurines and enamel on wood, 9 x 12 in. diptych, 2001
White On White : plastic figurines and enamel on wood, 9 x 12 in. diptych, 2001
6 Kilometers : video installation, canvas, dirt, variable size, 2001
6 Kilometers : video installation, canvas, dirt, variable size, 2001
6 Kilometers : video installation, canvas, dirt, variable size, 2001
6 Kilometers : video installation, canvas, dirt, variable size, 2001
6 Kilometers : video installation, canvas, dirt, variable size, 2001
6 Kilometers : video installation, canvas, dirt, variable size, 2001
6 Kilometers : video installation, canvas, dirt, variable size, 2001
6 Kilometers : video installation, canvas, dirt, variable size, 2001
